On the Road Again Season 7 Episode 44

All this and bagpipes, too?!? Season 7 of Fearfulness the Walking Dead resumed on AMC Dominicus with a trippy episode in which Alicia made a new friend, lost a new friend, engaged in some particularly fanciful dream assay and, yes, was treated along with the remainder of us to some bagpipe-playing. And if you read on, we'll go over all of the latest speed bumps and potholes that she hit on the never-ending road to mythical Padre.

TO Slumber, PERCHANCE TO SCREAM | After "Follow Me" started the states off with a dream sequence in which the late Sen. Vasquez'southward reanimated corpse urged Alicia to follow him down the yellow brick route to Padre, our heroine awakened and made the associate of a deafened musician named Paul, who had found her unconscious in a barn and taken her to his soundproofed house (which seemed to accept an endless supply of electricity, no?). Since to salve him from a walker, she'd broken the stereo that he was clarion to feel the music a la Beethoven, he didn't want her to leave without helping him obtain a new one. (Priorities!) Before they could run out to the closest post-apocalyptic Radio Shack, though, Arno came knocking like he was an Avon Lady doing Tusken Raider Raider cosplay. Too one-half-assed in his search of the house to find Alicia hiding in the piano — aye, in it — Arno left Paul with a walkie-talkie to call him if she turned up. (Just me, or does there appear to be a stunningly vast supply of post-apocalyptic walkie-talkies out there? Should we all have 50 lying around but in case?)

One time Arno left with his men in a truck full of walkers, Alicia and Paul got to know one some other better. She admitted that her pursuer blamed her for getting a bunch of his people killed following Walker Vasquez to nowhere. "Hey, yous tried," Paul said. She didn't have to proceed beating herself upwardly about it fifty-fifty if the Stalkers wanted to. For his part, Paul admitted that he played all of the instruments in the house except for the bagpipes, which had been his late married woman'south affair. (Eat your centre out, Lisa Simpson.) Her scream was the terminal affair he heard before Teddy's warheads blew out what had been left of his hearing; at present the stereo helped drown out the sound. Just every bit the twosome plant a new stereo at a concert hall, and Alicia invited Paul to bring together her in trying to accept Strand'southward Tower, Arno showed up. He would've fed Alicia to her "victims" in his truck if Paul hadn't started shooting. In the ensuing melee, he dropped the stereo (dang it!), and Arno escaped. No more did Alicia want Paul to join her. Arno was right, people around her got hurt, she decided. Merely Paul was now convinced that they could help 1 another drown out what they didn't desire to hear — his wife's scream for him, that vocalism saying "Follow me" to her.

A WAKING NIGHTMARE | Starting time, Alicia and Paul would have to dispense with Arno and the Stalkers. To do that, Paul walkie-talkie'd the villain to stop on by his house, at which point he'd attracted walkers by cranking the stereo that he'd lifted from his and Alicia's getaway car. Things didn't go quite according to programme, however. Walkers wound up in the house, the music died, Arno shot Paul, and he and Alicia found themselves holed upward in a sleeping room. He wanted her to go, she insisted that the wouldn't… you know the drill. In the end, she allowed her dying pal to play the bagpipes to provide sonic cover for her to make her escape. On the road, she bumped into the girl who'd apparently helped her into that barn and, feverish as she was, collapsed. After that, we watched a variation of the dream that started the episode. This fourth dimension, however, it wasn't Walker Vasquez telling Alicia to follow him to Padre, it was Alicia telling herself to do and so with all the series regulars backside her instead of the ill-fated Stalkers.

When Alicia awakened, she was on Morgan's submarine. In short club, she admitted that she hadn't been able to convince Arno to help them take the Tower. Merely she knew how to raise an army. She was going to return to the bunker and use its radio to ship a bulletin out to people like them, people that just wanted a safety place to live. Madison had had her dream, Alicia noted. Nick had had his. Then had Morgan. Now it was her plough. (If you say so… ) Paul had guessed that the vocalization telling Alicia to "Follow me" had been hers all along, and now Morgan reckoned that she herself was, in a mode, becoming Padre. All he had to practice was be ready when Alicia returned, she told him. Equally the episode drew to a shut, Arno and another Stalker gazed down upon a cavern full of trapped walkers. It was noisy and hard to hear, but as far as I could discern, they were going to employ the horde to take the Tower for themselves.

So, what did you recall of the midseason premiere? Waaay as well much navel-gazing for me. And nice equally Paul was, aren't there long-running characters that haven't had a meaningful scene in and so long that the time nosotros spent with him would've been better spent on them? Hitting the comments with your thoughts after grading the episode below.

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Source: https://tvline.com/2022/04/17/fear-the-walking-dead-recap-season-7-episode-9-follow-me/

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